Peeping Tom (1897)
Overview
A man peeping through a keyhole at an attractive young woman gets his comeuppance. This film, presumed lost, is often mistaken for Ferdinand Zecca's "What Is Seen Through a Keyhole" (1901).
Production Companies
Additional Info
| Budget | $0.00 |
|---|---|
| Revenue | $0.00 |
| Original Language | en |
| Popularity | 1.207 |
Directed By
Crew
TOP CAST
Similar Movies
The Eye of Envy
At the crook of a road leading to Success is the little hamlet of Sleepy Hollow; One day, the regular road is closed for repairs, and the detour forces traffic to pass through Sleepy Hollow on the way to Success. Passing through the town is Avarice and his beautiful bride Innocence who bestir the envy of the village blacksmith, Ambition. Following them along the road to Success, the smithy encounters a wishing tree which enables him to switch bodies with Avarice.
Love Blade
A Woman named Rose is a virgin in her early twenties, who has a rare condition which cause her to kill every time she is sexually aroused. She tries to hide the bodies, fix herself and find out about her condition. That keeps her alone and in love with her knives. She takes up a job as a hired killer and stays single but meets another woman, named Sam, who has the same condition and has answers for her question, but does love prevail and what secrets are revealed?
The Honor of His Family
An old colonel is proud as a peacock: his son leads a group of volunteers in the American Civil War. Untill one day his son returns home as a deserter.
How to Die Young in Manila
An introverted teenage boy lies to his parents that he'd sleep over at his friends'. However, he made an appointment with a random guy found on a dating app. The street is filled with dead hustlers, but nobody seems to notice these strange occurrences.
Come Along, Do!
Come Along, Do! is an 1898 British short silent comedy film, produced and directed by Robert W. Paul. The film was of 1 minute duration, but only forty-some seconds have survived. The whole of the second shot is only available as film stills. The film features an elderly man at an art gallery who takes a great interest in a nude statue to the irritation of his wife. The film has cinematographic significance as the first example of film continuity. It was, according to Michael Brooke of BFI Screenonline, "one of the first films to feature more than one shot." In the first shot, an elderly couple is outside an art exhibition having lunch and then follow other people inside through the door. The second shot shows what they do inside.
The Countryman and the Cinematograph
A satire on the way that audiences unaccustomed to the cinema didn't know how to react to the moving images on a screen - in this film, an unsophisticated (and stereotypical) country yokel is alternately baffled and terrified, in the latter case by the apparent approach of a steam train.
Fire!
Firefighters ring for help, and here comes the ladder cart; they hitch a horse to it. A second horse-drawn truck joins the first, and they head down the street to a house fire. Inside a man sleeps, he awakes amidst flames and throws himself back on the bed. In comes a firefighter, hosing down the blaze. He carries out the victim, down a ladder to safety. Other firefighters enter the house to save belongings, and out comes one with a baby. The saved man rejoices, but it's not over yet.
Buy Your Own Cherries
A barmaid plies a swell with smiles and with cherries from a box that's just been delivered. When she refuses a cherry to a roughly-dressed tradesman who runs a tab at the bar, he pays off his debt in a huff, using all his week's pay. He then storms penniless and without provisions into his ill-furnished house where his wife and two children, ill-clad and ill-fed, cower. Is there any hope for him and for his family? If he does realize how low he's sunk, what help is there to lift him up? Will the family ever know the taste of cherries?
The Miller and the Sweep
In front of a flour mill, two men fight. One is the miller, and he's swinging a bag of flour in the scuffle. The other is a chimney sweep, and he's swinging what may be a bag of flour, but when it breaks open, it's clearly something else. Well into the havoc, spectators gather and give chase to the flour-covered sweep and the "well-sooted" miller.
Let Me Dream Again
Possibly the first film to utilize the technique of focus pulling. A man kisses a beautiful and lively woman, then the image blurs and dissolves into a clear image of the man waking up to his nagging wife.
Grandma's Reading Glass
A child borrows his grandmother's magnifying glass to look at a newspaper ad for Bovril, at a watch, and then at a bird. The child shows grandma what he is doing. The child looks next at grandma's eye, then at a kitten.
Dust
The short drama film Dòst tells the tough coming of age process of best friends Alko and Björn in a small rural village community. Between agricultural weekend work and partying, dealing with other adolescent boys and girls, one kiss can make a big difference. The urge to fit in, to uphold image, and peer pressure makes the boys both having to make choices that will affect their friendship.
Photograph
A photographer has his camera all set up to take a gentleman's picture. The subject checks his face in a hand mirror, and the photographer poses him. Just as the photographer is about to take the picture, the subject gets up to look at the camera more closely. The frustrated photographer soon becomes quite impatient.
A Fire in a Burlesque Theatre
This short, otherwise unremarkable feature is of some interest because of the way that it unabashedly caters to the tastes that it perceived in its audiences. Besides combining the elements of the risqué 'blue' movies of the era with the popularity of movies about fires, it also attempted to use the combination to get extra mileage out of it. The movie's title summarises the setup, and most of the footage shows firefighters using ladders to rescue stage girls, clad in portions of their costumes, from an upper level. Although it all seems pretty tame by today's standards, it no doubt provided its male viewers with some brief moments of excitement as the various women hurried down the ladders with their costumes in disarray.
Cold Star
A boy experiences new desires while watching a man at an indoor swimming pool. Forced up the diving platform by a rowdy gang, he receives unexpected help. Cold Star is a mixture of short and music video. A hybrid, that connects the emotions of a short with beats and lyrics of music. The film is an appeal for acceptance of your own and others sexual identity.
Joe Bell
The true story of a small town, working class father who embarks on a solo walk across the U.S. to crusade against bullying after his son is tormented in high school for being gay.
Through the Fields
Lucas is 22. He plays soccer with his local club, lives with his parents with his younger brother Théo, 17. Théo is attracted to boys, and has only confided in his brother. Théo's difference from others forces him to live a secret life. One evening, spurred on by his need for affection he decides to meet up with an older man at a local hotel.
Prince in Hell
The story is set soon after the reunification of West and East Germany, and is about the disintegrating relationship between Jockel a political activist and Stefan a heroin junkie, and their involvement with a bisexual Micha. A 2nd plot line is concerned with Micha's young son Sascha, and his life in a rundown world of drugs and poverty. His fascination with the creepy, exhibitionist puppeteer Firlefanz, whose grotesque puppets enact a gay fairy tale paralleling the relationship of Stefan and Jockel. Central to the disintegration of these characters is the drug dealer Ingolf, who 'pulls their strings' with heroin, instead of puppet wires.
Far from Sunset Boulevard
The thirties, the heyday of Soviet film production. The story of the famed couple's glory — a filmmaker and actress, behind the external well-being of which were hidden strange contradictory relationships and a sense of fear that they carried through their whole lives. The prologue to this story is the 85th anniversary of Lidiya Polyakova, the formerly brightest star in Soviet cinema, who played the main role in all the films of her own husband, director Konstantin Dalmatov. Now in the courtyard there are other times, Dalmatov’s movies are called ideological agitation, and the director himself and his wife are hiding from the world in the country, trying not to let anyone in.
Stud Life
Stud lesbian JJ works with her gay best friend Seb as wedding photographers. When JJ falls in love with a beautiful diva, JJ and Seb's friendship is tested, and she’s forced to chose between her hot new lover and her best friend.